Showing posts with label Nazi-looted art. Show all posts
Showing posts with label Nazi-looted art. Show all posts

Friday, June 26, 2015

US museums ‘increasingly avoid’ returning Nazi-looted art

US museums ‘increasingly avoid’ returning Nazi-looted art

World Jewish Restitution Organization says institutions rely on legal technicalities to skirt restitution to heirs

 June 26, 2015  The Times of Israel
Detail from Camille Pissarro's 'Rue Saint-Honoré, Après-midi, Effet de Pluie' (Wikimedia/public domain)
Detail from Camille Pissarro's 'Rue Saint-Honoré, Après-midi, Effet de Pluie' (Wikimedia/public domain)
NEW YORK (AP) — US museums are increasingly evading the restitution of Nazi-looted art by using legal tactics to avoid resolving the cases on their merits, according to a report by the World Jewish Restitution Organization released Thursday.
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The tactic is a trend that has grown in recent years, it said.
“American museums have an obligation to ensure that claimants get a fair chance to get a hearing on their case,” said Gideon Taylor, chair of WJRO operations. “That increasingly is not happening in US museums.”
The technical defense approach by museums also likely is a deterrent to claimants coming forward because they face an expensive and protracted legal struggle, according to the report.
It cites five museum cases in which the courts sided with the institutions, which won their cases resorting to legal technicalities such as statute of limitations. A sixth case involving a disputed Camille Pissarro painting donated to the Fred Jones Jr. Museum of Art at the University of Oklahoma in 2000 is pending.
The Oklahoma museum said the family who donated the artwork to the museum “undisputedly purchased the painting in good faith from a reputable art dealer, with legitimate and verified title.”
“We continue to hope for a resolution that will be fair to all parties,” it added.
The report also shows that other countries have taken a different approach to settling claims of stolen Nazi-era art, establishing tribunals or special venues where these issues can be heard based on the merits, not on technical grounds.
“We’re not saying every claimant is right and that every claim is a valid claim. We’re saying let the claim be heard by a neutral body,” Taylor said. “If the museums are confident in their interpretation of the facts, then they should be confident to let the court adjudicate whether that’s right or not.”
Among its recommendations, the report says the American Alliance of Museums should ensure museums comply with its guidelines “by abstaining from blocking claims on technical grounds.” Museums that fail to do so should be subject to a review of their accreditation with the AAM, it says. It also recommends legislation to extend statutes of limitations for Holocaust-era restitution claims.
The museum organization said in a statement that it “takes seriously issues surrounding the question of Nazi-era looted art and is committed to ensuring museums act ethically and in accordance with standards.”
Copyright 2015 The Associated Press.

Wednesday, May 13, 2015

Helen Mirren to be honored for playing Austrian Jew


Mirren in "Woman in Gold." (Screen capture)

Helen Mirren to be honored for playing Austrian Jew

Award-winning actress says she’s ‘utterly moved’ by World Jewish Congress recognition over role in film about Nazi-looted art

 May 13, 2015  Times of Israel



Actress Helen Mirren with co-star Ryan Reynolds standing in front of the famous ‘Portrait of Adele Bloch-Bauer I’ by Gustav Klimt. (Photo credit: The Weinstein Company)



British actress Helen Mirren will receive the World Jewish Congress recognition award, the group said in a statement on Wednesday. Mirren will receive the award for her role in the film “Woman in Gold” and for helping to educate the public about the issues of Nazi-looted art. WJC President Ronald S. Lauder will present Mirren with the award at a special event in New York later this year at a date to be determined.
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In the film, Mirren portrays Maria Altmann, an Austrian-American woman who made headlines in 2006 by winning her legal battle against the Austrian government to reclaim five Gustav Klimt paintings, among them the famous “Portrait of Adele Bloch-Bauer I,” nicknamed “Woman in Gold.” The woman portrayed by Klimt was Altmann’s aunt.
In 1938, the painting was among the works confiscated from their rightful owner, Adele’s widower Ferdinand, because he was Jewish. Following its restitution to Maria Altmann in 2006, it was acquired by Ronald Lauder and is now on display at the Neue Galerie in Manhattan.
“Being a part of this film and preserving Maria Altmann’s legacy has been a truly exceptional experience from the start,” said Mirren. “I am utterly moved to be receiving an award from the World Jewish Congress, an organization that does such important work all over the globe in advocating for Jewish rights.”
Ronald Lauder, President of the World Jewish Congress speaks during an interview with The Associated Press in Berlin, Saturday, Sept. 13, 2014.(Photo credit: AP/Markus Schreiber)
Ronald Lauder, president of the World Jewish Congress, in Berlin, Saturday, Sept. 13, 2014.(Photo credit: AP/Markus Schreiber)
According to Lauder, “The history of the ‘Woman in Gold’ painting exemplifies the immense suffering, painful loss and, for a prolonged period, the injustice that many Jews were subjected to during the 20th century. With the opening of this new movie, audiences can learn about the second half of the Nazi-looted art story: the postwar art grab by governments and museums that willfully continued the Nazi theft, both by hiding the art from the rightful owners or their heirs and by fighting the victims in court to keep the artworks.
“Thanks to Helen Mirren’s stunning performance, the international public will learn about this legacy of World War II which still hasn’t been addressed properly by many governments and museums,” he said in a statement.
Mirren in "Woman in Gold." (Screen capture)
Mirren in “Woman in Gold.” (Screen capture)
Mirren has already portrayed a Jewish woman in the past. In the film “The Debt” (2010), she played a retired Mossad agent, and in preparation for the role reportedly immersed herself in studies of Hebrew, Jewish history, and writings on the Holocaust. Some of the film’s scenes were filmed in Israel.
A leading and supporting lady in British and American films since the mid-1960s, Mirren played notable roles in Robert Altmann’s “Gosford Park,” Peter Weir’s “The Mosquito Coast,” and Peter Greenaway’s “The Cook, the Thief, his Wife and her Lover.” She won an Academy Award, a BAFTA and a Golden Globe for her portrayal of Queen Elizabeth II in Stephen Frears’ “The Queen,” a film describing the aftermath of the death of Princess Diana on the British government and royal family.
Helen Mirren in a scene from the film "The Queen." (Screen capture)
Helen Mirren in a scene from the film “The Queen.” (Screen capture)
In preparation for that role, Mirren so thoroughly absorbed the body language and mannerisms of the British monarch that members of the (British) film crew stood up when we she walked on set, momentarily forgetting that they were facing Mirren in costume and not the sovereign.